The Comparison of Characters in Reference to Beowulf Essays

The Comparison of Characters in Reference to Beowulf Essays The Comparison of Characters in Reference to Beowulf Paper The Comparison of Characters in Reference to Beowulf Paper Be that as it may, I locate this false, the characters In Beowulf are increasingly unique and have more noteworthy virtue when investigated to characters In most cutting edge books. At the point when we think about the epic Beowulf the principal thing that strikes a chord Is simply the shopping center character of the story Beowulf himself. All through the story he Is by a wide margin the most powerful character and we see a greater amount of his Inner self than any other individual In the story. We witness Beowulf create from an upstart youngster Into an astute, considerate, old lord. For instance, we watch this change generally in the explanation that he battles: when he was youthful Beowulf battled for himself, for self magnificence, toward the finish of the epic (in the battle with the mythical beast) we see that he battles for his kin benevolently and without care for his own security. In his more youthful days Beowulf battled Greened without weapons so the battle would be on reasonable standing, however when we view Beowulf when he is more established, he doesn't desert any bit of leeway when he sets himself in opposition to the winged serpent, it is this special change that informs us so much concerning how he feels about the mythical beast as paired to how he felt of Greened when they battled. In that fight Beowulf needed to substantiate himself, so he didn't utilize weapons so the battle would be on standing; then again, in the fight with the winged serpent he was securing his kin so he utilized every one of his weapons and abilities to overcome the brute, he needed to guarantee cap he would not lose at any expense. While searching for an advanced novel to stand out from Beowulf I found a gigantic arrangement of books composed by R. A. Salvatore, this arrangement is known as the Forgotten Realms arrangement and has one principle character all through the whole arrangement. This character is named Drizzle, and in the wake of perusing a large number of these books I can offer a fair input about the arrangement. I found that in this arrangement the fundamental character scarcely changes by any means, one could state that the character is totally unemotional all through the whole arrangement; not through Just one book, or part, however all through the whole ascent he scarcely grows mentally as a character. I found that through this arrangement Drizzle changes areas, closet, weapons, and partners. Notwithstanding, I found that he doesn't change what he battles for or why he battles; a portion of different characters In the books change, yet none so drastically in order to be contrasted with Beowulf. By watching the virtues In Beowulf society we find numerous saltcellars to our own arrangement of qualities. In any case, there are additionally some not really pay esteems found In this work, for example, the greatness and nature of accommodation appeared to Beowulf by Warthogs. This social worth is one that we don't stretch out to everybody that goes to our home, dissimilar to Harington we 00 not esteem now everybody reels tout us nor 00 we Tell committed to regard everybody as visitors. This shortage is Just one of the numerous things in todays society that has been debasing since the hour of Beowulf and previously. The straightforward realities are that we don't feel that we can manage the cost of a similar sort of cordiality and respect that Warthogs offers to his guests. We don't have the opportunity to thank somebody that comes to assist us with an issue, we have to get the issue fixed and et back to life. There are not many of us that assume much the same as Warthogs. For instance, on the off chance that we are agreeable to a circuit repairman and help him in any capacity conceivable, perhaps get him a beverage or something, on the off chance that we ever need his administrations again I would wager that his fixes are more brief and his demeanor is better than if we had been mean or unconcerned with him the last time he needed to come fix something. It makes me imagine that Warthogs has some presence of mind in acting along these lines to Beowulf; this is Just one case of the ethical deficiencies we find when contrasting Beowulf society with our own. With everything taken into account, when contrasted with the characters in current books I find that Beowulf is commonly better in many perspectives. He doesn't miss the mark with regards to moral choices, he accepts everything, and he isn't inadequate in the fortitude division. His character is dynamic and changes all through the epic, that as well as his companions change alongside him, some for better and some in negative ways. I really want to appreciate this epic in the entirety of its wonder, in addition to the fact that it is an incredible story with a decent plot it has made due for longer than a centuries and right up 'til the present time never neglects to engage perusers. How might I analyze some novel that isn't so much as thirty years of age to this epic, I don't anticipate that any cutting edge novel should be as incredible as Beowulf or to achieve such a degree of notoriety and regard. If one somehow happened to ask me for what good reason, I would instruct them to check with me in a thousand years and check whether they could locate their preferred novel from the present being concentrated in schools over the world. And still, at the end of the day I question that it would be comparable to Beowulf nor so far as that is concerned some other works composed around that time. By and large the epic Beowulf has preferred character improvement over practically any advanced book that I have had the joy, or dismay, to peruse.

The changing roles of men and women in families in Britain over the past half century Essay Example

The changing jobs of people in families in Britain over the past 50 years Essay For a significant part of the long history of human progress ladies and men advanced to expect various jobs inside the family and bigger society. Be that as it may, in many social orders, ladies were made to take a subordinate social and residential job to men. This circumstance has continuously changed over the most recent fifty years and there is greater fairness between the statuses of the two genders. Two significant conditions have made female liberation conceivable. Right off the bat, as works of female creators began to get distributed, social orders got presented to the ladylike point of view on different subjects. Furthermore, occasions, for example, the Second World War had drastically changed women’s jobs by bringing them out of their homes and into manufacturing plants. The ladies suffragette development that occurred in the early many years of the twentieth century and the Women’s rights development of the 1960s were likewise instrumental in achieving consi derable change in the status and job of ladies (Allan Crow, 2001, p.21). These progressions were not limited to Britain, however have happened at the same time in numerous nations, particularly in West. While the job of ladies has seen amazing change in the course of the last 50 years, the equivalent can't be said of the job of men. A portion of the particular regions where sex jobs in Britain have transformed over the ongoing decades are examined in this paper. There is no uncertainty that ladies have consistently played a noticeable job in the working environment and that their investment in it has expanded slowly throughout the most recent five decades. 50 years back men were considered the sole providers for their families and ladies were limited to local work and raising kids (Morgan, 1990, p.15). In any case, today’s Britain is a long ways based on what was the situation in 1960s. Since the conditions of the Second World War constrained ladies into taking up jobs that were expectedly confined to men, there has been no thinking back as far as their monetary autonomy (Davies, 2004, p. 260). Already, ladies needed to endure injurious spouses because of their financial reliance on the last mentioned. Be that as it may, as more ladies turned out to be monetarily autonomous, their opportunities as to relational connections additionally developed. It ought to be recollected however, that in spite of having equivalent expert capabilitie s, work understanding and ranges of abilities, most ladies will in general get paid not exactly their spouses (Walters Avotri, 1999). For instance, we find that regardless of progress in numerous territories, the sexual orientation wage hole is an obvious sign that ladies despite everything have some best approach before accomplishing an equivalent status to their spouses. What is agonizing over the steady sex wage hole is the way that ladies don’t feel as rankled about this issue as they do in different territories of imbalance (Allan Crow, 2001, p.21). Likewise, British culture and history have generalized what involve female characteristics. The accompanying perception from investigate group of Chichilnisky et. al. further explains this point: We will compose a custom article test on The changing jobs of people in families in Britain over the past 50 years explicitly for you for just $16.38 $13.9/page Request now We will compose a custom exposition test on The changing jobs of people in families in Britain over the past 50 years explicitly for you FOR ONLY $16.38 $13.9/page Recruit Writer We will compose a custom article test on The changing jobs of people in families in Britain over the past 50 years explicitly for you FOR ONLY $16.38 $13.9/page Recruit Writer â€Å"notwithstanding the way that today’s ladies and men share a similar beginning stage for getting similarly beneficial in both the home and the workplaceâ€current convictions about income might be â€Å"historically biased† for generalizations. This thinking drives us to contend that determination of the sexual orientation wage hole in created social orders can be clarified by an inevitable â€Å"history bias† in beliefs.† (Chichilnisky et. al., 2008, p.299) However, past the â€Å"history bias†, there are different components that add to sexual orientation wage hole inside the family. While the outright level of ladies taking an interest in workforce has expanded, the generalizing of ladylike characteristics has confined the areas wherein they could practice. Therefore, ladies and men are isolated occupation-wise, where there is wage-divergence between occupations. There is additionally divergence among ladies and men of a similar age-bunches because of the way that the previous lose a couple of years for maternity and youngster raising which keeps down their career’s progress. So while financial open doors for ladies have extended and thus their jobs inside the family have changed since the 1950s, it has not pushed ladies to a condition of fairness with men today. (Walker, 2005, p.32) We can learn valuable bits of knowledge about sexual orientation jobs in Britain by considering the establishment, hierarchical structure and different features of the British Association of Barbershop Singers (BABS) †a well known melodic association that has worked with driving causes during the last 50 years and has likewise given exhibitions in driving news sources, for example, the BBC. The BABS is only included men, and the group of four music that is its feature is sung by four skilled men vocalists. When BABS is contrasted and its comparable association Ladies’ Association of British Barbershop Singers, we see that both these affiliations lead decisions to pick their officials and heads. The chosen individuals thus report and give a record of their exercises to a national gathering. Obligations, for example, filling in as judges in melodic rivalries, offering melodic instruction, are taken over by another music group †the Music and Judging Committee on account of LABBS and Guild of Judges on account of BABS (Garnett, 1999, p.115). Both of these barbershop associations print and disseminate bulletins, retail sheet music and discharge collections. The significance of this balance in hierarchical structure and working is that â€Å"it leaves drastically from an origination of isolated circles that portrays them by sex as well as by social space. While the nineteenth-century plan of the term mapped a qualification of open/private onto the gendered domains of action, this twentieth-century revamping of the model fully trusts its terms significantly more by comprising both genders’ exercises in the open domain of organized regulation†. (Garnett, 1999, p.116) Thus, from the proof assembled from the working of BABS and LABBS, we can deduce that ladies appreciate more opportunity and higher status both inside and without the foundation of family than was beforehand the situation. Be that as it may, one ought to hate from drawing wide speculations dependent on this proof alone. For instance, the facts demonstrate that British ladies, being residents of a progressed financial and modern country, have picked up points of interest over their partners in different countries. Yet, it is misdirecting to accept that the perspectives of British men have changed at all in the last 50 years, when contrasted with how men in different societies see the job of ladies. For instance, the facts confirm that â€Å"Middle Eastern ladies are beaten for wearing un-Islamic attire; Afghan ladies are mishandled and disappointed with or without the Taliban; Pakistani ladies are enduring aggressive behavior at home, including corrosive assaults thus called ‘honour crimes’. On the off chance that traditional talk is to be accepted, the forefront in the progressing battle for widespread women’s rights lies in the world’s least fortunate, generally male centric and least law based nations† (Walker, 2005, p.32). It is then contended that in nations like Britain, where the standard of majority rules system is high and resident liberation is propelled, ladies don't for the most part experience segregation, viciousness and misuse that their less advantaged partners endure. In any case, examined appropriately, it appears that the women's activist development of the 1960s and 1970s, and the rights won because of it, has given a feeling of lack of concern and a lost feeling of fulfillment to ladies (Allan Crow, 2001, p.23). The fact of the matter is less ruddy than this as showed by Amnesty International reports. Of all the propelled countries, the UK, the USA and Japan are striking instances of misinterpretations about women’s freedom. For instance, as indicated by an Amnesty International report, â€Å"abuses of women’s rights in the created world are incidentally announced completely and accuratelyâ€as in Amnesty UK’s battles on household violenceâ€but all in all they are depicted as secluded occurrences and appeared differently in relation to across the board constraint in the creating world†¦whereas in truth, they exhibit that maltreatment in created and creating nations are linked† (Walker, 2005, p.32) This carries us to a key explanation that has ruined more noteworthy advancement for women’s station in family during the most recent fifty years, in particular profoundly established sexual nerves and frailties of men. As researchers Werner Kierski and Christopher Blazina bring up, one of the center purposes behind the continuation of a subordinate job for ladies are men’s mental apprehensions of the other gender. What has been named Fear of the Feminine (FOF) has been read for near two centuries now. In any case, it was psychoanalyst Sigmund Freud who explained plainly and finally a portion of these dread (the dread of men losing control over ladies communicated as ‘castration fear’). Later analysts, for example, Horney refined and extended this origination to represent men’s â€Å"dread of ladies and how this dread left men’s feeling of manliness on temperamental ground† (Kierski Blazina, 2009, p.156). Carl Gus

5 Ways to Alleviate Homesickness

5 Ways to Alleviate Homesickness Top 5 Ways to Deal With Homesickness Top 5 Ways to Deal With Homesickness The shock of upending your life and moving across country, or across the world for some students, to attend college or university can cause your first big dose of homesickness. Suddenly leaving everything and everyone you know behind, especially if its your first time living away from home, can make new university students anxious and depressed. Often, students get trapped in a downward emotional spiral, worsening their homesickness by doing things that only make it worse. Homesickness is most often temporary, and once you settle into the routine of your new life, it ends up disappearing or becoming much less intense. If you are suffering from homesickness and would like some relief, below are 5 tips to help tackle it. Dont Stay in Your Room One of the worst things you can do if you are feeling homesick is to stay locked up in your room. Many new university students often try and cope with their homesickness by spending an unhealthy amount of time talking to friends and family, using it as a coping mechanism that can end up making matters worse. The best way to get over your homesickness fast is to explore the campus. Instead of sitting on your bed, take your reading or writing to the campus coffee shop, or even an off campus coffee shop. Simply being around other people who are probably experiencing the same thing can make a world of difference. Allow Time for Sadness This may seem counterproductive, but if you allot yourself time where you are allowed to be emotional and sad about how homesickness is affecting you, you can deal with these normal emotions in a more healthy way. If you have no class on Friday, instead of spending the whole day wallowing in your room, allow yourself a couple of hours to be by yourself and then get active and get your mind off it. Create Similarities While it is unlikely that your university town, residence, apartment etc. will ever be able to compare to, or take the place of where you grew up, it doesnt hurt to try and recreate the life that you left, to the best of your abilities. Did you have a hobby that you pursued with your friends back home? Look for similar clubs, or social groups to join on campus. Did you have a large, vibrant social circle that made you feel appreciated and comforted? Make an effort to be friendly with and meet new people on a daily basis. Do you crave community involvement? Why not try volunteering some of your time if you have some to spare in between classes? A lot of research has confirmed that volunteering your time does a lot to boost feelings of mental well-being. Pick up a Part Time Job If you can afford it, a great way to help take your mind off homesickness, as well as make some money and feel like you are being productive, is to pick up a part time job, whether on, or off campus. If you can spare the time throughout the week, or on the weekends, a part time job is often a good way to make you feel productive, which is good for your mental well-being, as well as a great way to broaden your social circle. Tell Yourself Youre not Alone Its easy to feel like you are the only person in the world going through something and that no one could possibly understand your pain, but the truth is, what you are experiencing is completely normal and very common. You would be surprised at the number of university students who are feeling and thinking the exact same things as you. If you need to talk to someone and dont feel comfortable discussing it with your peers, counselling centres on campus are full of caring, empathetic, experienced people who can help talk you through your emotions. They are adept at providing important perspectives on what you are going through. Dont give up! Homesickness can be crippling for some people, even prompting some students to give up. Homesickness is rarely permanent, and with the right approach, fairly easily dealt with. Starting a new chapter in your life, away from friends, family and familiarity is no walk in the park. If you find that homesickness is getting in the way of your homework, and need a hand, get in touch with Homework Help Canada and let us help you settle into your new life by taking care of some of that coursework for you. References: Lucier, K.L. (2011). “5 Ways for College Students to Survive Being Homesick.” U.S. News. Retrieved from: 5-ways-for-college-students-to-survive-being-homesick Watson, S. (2013). “Volunteering may be Good for Body and mind.” Harvard Health Publications. Retrieved from: volunteering-may-be-good-for-body-and-mind-201306266428 5 Ways to Alleviate Homesickness Top 5 Ways to Deal With Homesickness Top 5 Ways to Deal With Homesickness The shock of upending your life and moving across country, or across the world for some students, to attend college or university can cause your first big dose of homesickness. Suddenly leaving everything and everyone you know behind, especially if its your first time living away from home, can make new university students anxious and depressed. Often, students get trapped in a downward emotional spiral, worsening their homesickness by doing things that only make it worse. Homesickness is most often temporary, and once you settle into the routine of your new life, it ends up disappearing or becoming much less intense. If you are suffering from homesickness and would like some relief, below are 5 tips to help tackle it. Dont Stay in Your Room One of the worst things you can do if you are feeling homesick is to stay locked up in your room. Many new university students often try and cope with their homesickness by spending an unhealthy amount of time talking to friends and family, using it as a coping mechanism that can end up making matters worse. The best way to get over your homesickness fast is to explore the campus. Instead of sitting on your bed, take your reading or writing to the campus coffee shop, or even an off campus coffee shop. Simply being around other people who are probably experiencing the same thing can make a world of difference. Allow Time for Sadness This may seem counterproductive, but if you allot yourself time where you are allowed to be emotional and sad about how homesickness is affecting you, you can deal with these normal emotions in a more healthy way. If you have no class on Friday, instead of spending the whole day wallowing in your room, allow yourself a couple of hours to be by yourself and then get active and get your mind off it. Create Similarities While it is unlikely that your university town, residence, apartment etc. will ever be able to compare to, or take the place of where you grew up, it doesnt hurt to try and recreate the life that you left, to the best of your abilities. Did you have a hobby that you pursued with your friends back home? Look for similar clubs, or social groups to join on campus. Did you have a large, vibrant social circle that made you feel appreciated and comforted? Make an effort to be friendly with and meet new people on a daily basis. Do you crave community involvement? Why not try volunteering some of your time if you have some to spare in between classes? A lot of research has confirmed that volunteering your time does a lot to boost feelings of mental well-being. Pick up a Part Time Job If you can afford it, a great way to help take your mind off homesickness, as well as make some money and feel like you are being productive, is to pick up a part time job, whether on, or off campus. If you can spare the time throughout the week, or on the weekends, a part time job is often a good way to make you feel productive, which is good for your mental well-being, as well as a great way to broaden your social circle. Tell Yourself Youre not Alone Its easy to feel like you are the only person in the world going through something and that no one could possibly understand your pain, but the truth is, what you are experiencing is completely normal and very common. You would be surprised at the number of university students who are feeling and thinking the exact same things as you. If you need to talk to someone and dont feel comfortable discussing it with your peers, counselling centres on campus are full of caring, empathetic, experienced people who can help talk you through your emotions. They are adept at providing important perspectives on what you are going through. Dont give up! Homesickness can be crippling for some people, even prompting some students to give up. Homesickness is rarely permanent, and with the right approach, fairly easily dealt with. Starting a new chapter in your life, away from friends, family and familiarity is no walk in the park. If you find that homesickness is getting in the way of your homework, and need a hand, get in touch with Homework Help USA and let us help you settle into your new life by taking care of some of that coursework for you. References: Lucier, K.L. (2011). “5 Ways for College Students to Survive Being Homesick.” U.S. News. Retrieved from: 5-ways-for-college-students-to-survive-being-homesick Watson, S. (2013). “Volunteering may be Good for Body and mind.” Harvard Health Publications. Retrieved from: volunteering-may-be-good-for-body-and-mind-201306266428

Analysis Of The Poem O Captain ! My Captain By Walt...

Many Leaders lack the ability to move people. Mourning the death of a leader is an even bigger task to take on. Abraham Lincoln, in this case was an exception. In the famous poem, â€Å"O Captain! My Captain!† Written by, Walt Whitman in the year 1865. The poem, refers to a terrible event in American history; the assassination of President Abraham Lincoln. Instead of the country celebrating and rejoicing over the ending of the Civil War and being happy over the country being kept whole, everyone was mourning in the loss of their leader. Aboard a ship, the poem is about a fellow sailor grieving from the loss of his captain. The sailor in the poem is singing a song that praises his captain for leading them safely on their voyage and leading them back home. As the other sailors are celebrating their homecoming with everyone on shore, the sailor notices the captain. He is dead, lying on the deck of the ship â€Å"fallen cold and dead†(line 8). The sailor goes on and mourn fully walks on the deck where the captain had died while the people on shore are unaware of their fallen leader. â€Å" Rise up and hear the bells;†(Line 9). The sailor says wishing his captain could witness the excitement. Everyone adored the captain and admitted that his death feels like a terrible dream, â€Å" It is some dream that on the deck, you’ve fallen cold and dead.† (Lines 15-16). Then in the final stanza of the poem, the sailor puts together his feelings of mourning and pride. (Whitman) The end of the Civil WarShow MoreRelatedAnalysis Of The Poem O Captain My Captain By Walt Whitman1337 Words   |  6 Pagestoday. To begin analyzing this poem we must first look at the context of when the poem was written. This poem, â€Å"O Captain, My Captain† was written by Walt Whitman in 1865 after the assassination of Abraham Lincoln. This death of the beloved president left the entire country devastated. Walt Whitman was a very strong admirer of Abraham Lincoln and often saw him as a fatherly figure in his life. Whitman writes many times in his poem yelling â€Å"father† (Whitman 13). Whitman truly believed that Lincoln hadRead MorePoem Analysis: O Captain! My Captain! by Walt Whitman Essays568 Words   |  3 PagesThe poem basically tells a story about the death of the captain of a ship men crew. The speaker of the poem is a sailor of the ship crew. He grieves mournfully about the death of his respectfully captain. Gloomy and dreary atmospheres are vividly sensed throughout the poem as the speaker lamenting the captain’s death. The poem begins with the speaker calling out his captain that they have finally made it home after their â€Å"fearful trip†. The boat is in sight of land and the people in the shore watchRead MoreComparison of Whitman and Dickenson Poems856 Words   |  4 Pagesperiod, two great American writers captured their ideas in poetry. Their poems give us insight into the time period, as well as universal insight about life. Although polar opposites in personality, Emily Dickinson and Walt Whitman created similar poetry. Dickinson s Hope is a Thing with Feathers and Whitman s O Captain! My Captain! share many qualities. br brHope is a Thing with Feathers and O Captain! My Captain! contain a similar scansion. Both have a predominantly iambic meter. TheRead More Whitmans O Captain! My Captain! And Dickinsons Hope is a Thing with Feathers860 Words   |  4 PagesWhitmans O Captain! My Captain! And Dickinsons Hope is a Thing with Feathers America experienced profound changes during the mid 1800’s. New technologies and ideas helped the nation grow, while the Civil War ripped the nation apart. During this tumultuous period, two great American writers captured their ideas in poetry. Their poems give us insight into the time period, as well as universal insight about life. Although polar opposites in personality, Emily Dickinson and Walt Whitman createdRead MoreCharacterization in the Film Dead Poets Society649 Words   |  3 Pagesboy named Neil and his six acquaintances. They all go to a boarding school, which is rigorous and conservative, called Welton academy. In this analysis I will discuss first and foremost the characterization in the film. John Keating is the new charismatic poetry teacher with unconventional teaching methods he is later referred to as O captain, my captain. He also is an unconventional and inspirational leader who has a lot of influence over the boys and their lives. He puts the term carpe diem in

Titanic Informative Speech Outline Essay - 1074 Words

Topic: Titanic General Purpose: To inform Specific Purpose: To inform my audience about the Titanic tragedy Thesis Statement: The sinking of the Titanic remains one of the most famous tragedies in history. INTRODUCTION I. (Attention material) Morgan Robertson wrote a book called The Wreck of the Titan. It was about a so called â€Å"unsinkable† ship named the Titan that set sail from England to New York. There were many rich and famous passengers on board. On its journey, the Titan hit an iceberg in the Atlantic Ocean and sunk. Because of the lack of lifeboats, many people died. If this sounds familiar, get this. The Wreck of the Titan was written 14 years before the Titanic sank. II. (Thesis statement) The sinking of the Titanic†¦show more content†¦3. Other accommodations of the ship included a swimming pool, library, barber’s shop, and a photographer’s dark room. C. The Titanic was believed to be the safest ship to ever be built. 1. In Tibbals’ 1997 book, he described the ship to have an outer layer which would protect the inner layer if the ship were to ever be penetrated. This was referred to as a ‘double bottom’. 2. The bottom of the ship had 16 watertight compartments with automatic doors which would close immediately if water was to enter. 3. These safety features led the ship to be deemed unsinkable. Transition: Now that I have discussed the titanic itself, let’s take a look at the tragedy that struck it on its’ maiden voyage. II. Four days after its departure the Titanic hit an iceberg that devastated the ship. A. The beginning of the voyage was uneventful. 1. According to Tibbals’ 1997 book the Titanic departed from Queenstown, Ireland at 1:30 pm on April 10, 1912 for its destination of New York. 2. The weather was perfect for sailing. The sky was blue, there were light winds, and a calm ocean. B. The journey came to a halt when the ship hit an iceberg and began to sink. 1. In Donald Lynch’s 1992 book Titanic: An illustrated history he explains that the collision happened at 11:40 pm on Sunday, April 14. 2. Tibbals (1997) wrote that rockets and signals were fired, but no ships were close enough to arrive inShow MoreRelatedStress topic outline1033 Words   |  5 PagesINFORMATIVE SPEECH OUTLINE Hunter Schauer Due: April 12, 2013 Informative Outline Topic: Stress General Purpose: To Inform Specific Purpose: To inform my audience different types of stress and the different ways people cope with it. Thesis: From work stress to the stress of grieving there are different types of stress and different ways to cope with it. I. Introduction : Have you ever wanted to pull your hair out or just yell at someone because you haveRead MoreOcd - Symptoms, Causes, Treatment131367 Words   |  526 Pagesbasic emotion of fear, is a universal human experience that plays a central role in human adaptation and survival. The basic function of fear is to signal a threat or impending danger (Barlow, 2002). The feeling of anxiousness associated with making a speech before 3 4 THE NATURE OF OCD a large audience or going for a job interview is understandable, given the potential for embarrassment or rejection. Even some of the phobias that are well known to clinicians, such as acrophobia (fear of heights)

“Yamaha Fiore” 2NE1 †Celebrity Endorsement Free Essays

Celebrity endorsement is commonly used to market products, it is a strategy which gives a â€Å"face† to a brand, to which the consumers can relate and aspire to. Yamaha has decided to promote its Fiore scooter Thailand with widely popular Korean pop group 2NE1. Their strategy was to reach out to urban Thai’s who follow foreign trends, music and fashion. We will write a custom essay sample on â€Å"Yamaha Fiore† 2NE1 – Celebrity Endorsement or any similar topic only for you Order Now While many urban Thai’s certainly are fans of the Korean fashion and pop music it remains unclear as to what effect the campaign has had on the purchase decision making and increased market share if any; however the effort did position Yamaha’s scooters as a trendy and youthful. Across European cities scooters are a very popular and low cost means of transportation. In Thailand, and a number of other emerging markets most consumers will aspire to owning their first car and will go to great lands to acquire one such as extending significant loans, whereas motorcycles/scooter are generally used and perceived as necessity for low income market segment. Furthermore, in Bangkok it is apparent that there are very few scooters being driven by the middle to upper market segment consumers, some of the reasons being as mentioned earlier and due to the traffic congestion and pollution which is considered to be dangerous to drive a scooter in. Yamaha is one of Thailand’s largest motorcycle manufacturers with a market share of 26% – expecting to reach 30% in 2011 (Bangkok Post, May 5, 2008) and Honda leading with an impressive 68% (Bangkok Post, May 5, 2008) market share. A large portion of this is assigned to rural areas where people use scooter as common means for transportation whereas in urban areas people will rely on public transportation, own a car or other. The key challenge would remain in changing people’s (middle, upper segment) perception of using scooters as a way to commute, run errands or go to a nearby store rather than solely relying on using car most of the time. This may be achieved by endorsing a local celebrity which would be ideally living in a modern condominium or a housing village also known locally as moo-ban. This would be a more â€Å"practical† approach to promoting a lifestyle people could more easily relate to rather than pop stars. The end result being many of the middle to upper income market segment might acquire a scooter in addition to owning a car to drive around their housing village or condominium and go to a nearby store or a restaurant. In the sportswear industry celebrity endorsement is used probably more often than in others. It is a great way to establish the brand as it is used by professional athletes and draw the consumer’s attention. Nowadays a great deal of sportswear is also worn as casual wear and not only on tennis courts, golf terrains or running track which has significantly widened and expanded the market. A very successful, charismatic athlete can portray a brand with many positive attributes. However, while there are many encouraging factors in using celebrity endorsements across many industries the marketing and advertising campaign could eventually result in negative or less attractive brand perception. Examples include when athletes are found to be using drugs, misbehaving in public or in competition. As mentioned earlier these individuals provide a â€Å"face† to the brand and in this light the public will think of a given brand. Tiger Woods has been one of Nike’s endorsed celebrity which has virtually established the brand in the golf industry. It is one of the prime examples of a success when a brand is tied in with a successful and charismatic athlete who also has the â€Å"star† power. It is also a very direct and relevant persona in the golfing industry which has attracted many first time golfers to purchase Nike equipment and other sportswear. The previously examined case of 2NE1 pop music group would be more fitting and is more commonly used if the endorsement was used to promote fashion, perfume, makeup and other similar products as they are more fitting with feminine attributes of beauty and attractiveness. In this respect Nike has established a firm brand perception with a person who is very relevant in the industry whereas a few years from now most likely very few people will remember the 2NE1 and Yamaha joint campaign. However it is important to note that there are also certain risks when a brand strongly relies on single celebrity as is in the case of Nike/Tiger Woods who has been through a personal scandal which has dramatically affected the golfers perception in public view and who has suffered a loss of a number of endorsements by energy drink makers and telecommunications company, Gatorade and ATT. And we are yet to see if the company will continue to carry the golfers name in the nearby future. How to cite â€Å"Yamaha Fiore† 2NE1 – Celebrity Endorsement, Papers

Use of Dramatic Irony in Macbeth by William Shakespeare Essay Example

Use of Dramatic Irony in Macbeth by William Shakespeare Essay Before discussing specific cases of dramatic irony through the play, there is one main irony that sets the basis of what the play is about: the more Macbeth believes he succeeds, the deeper in disintegration he steps. One of the aims of dramatic irony is to enhance the theme of appearance and reality. For instance, we see several situations in which Macbeth and his wife pretend to be welcoming, loyal people, and at the same time we know what their plans are (Act1 Scene 6, Act 2 Scene 3).We can also see how Macbeth hides from Banquo the fact that he does think of the witches, thus revealing his underlying ambition (Act 2 Scene 1). Dramatic irony deeply reinforces the sense of betrayal throughout the play. It is created through the characters’ ignorance of the evil forces. Macbeth knows that what he does is wrong but he is at no time aware of the magnitude of his future suffering.We know more than he does because, unlike him, we presence a conversation between the witches where we acknowledge the martyrdom he will endure through the lack of sleep, the inexistence of peace during his meals and his relentless guilt (Act 1 Scene 3). As regards Lady Macbeth, this would apply too. In her case, though, we can remark the absence of consciousness at the time of summoning the evil spirits. She submits the goodness in her and her soul to them, turning into an instrument of evil and later on its victim. At first, she displays a considerable sense of pragmatism and practicality (Act 2 Scene 2).Later on, what she says in this state of rationality proves in retrospect ironic when we see her talking in madness. Her soul is disrupted by what at first gave her the power to do evil. We see how she becomes afraid of what she recognized as innocuous. When she expresses that â€Å"what is cone cannot be undone† (Act 5 Scene 1), we can see how at first it meant that the deed was finished, and now, this takes various connotations among which we can find that what is done cannot be undone as it will haunt them for the rest of their lives.Concerning the rest of the characters, we can point out the porter and Lady Macduff as examples. In Act 2 Scene 1, the porter sets a comic relief by imagining he is the porter of Hell’s gate, thus proving a harsh dramatic irony, as we know that Macbeth’s castle at that moment was figuratively hell since the King of Scotland was being murdered. Lady Macduff is oblivious of her husband’s will to save the country. She accuses him of being a traitor when she ignores the fact that he fled to England for the sake of his country and of his own family.Act 4 Scene 2 introduces an ironic interlude, it is a moment of sad joking because the audience knows that they will soon b e ruled, thus kindling sympathy for Macduff’s family. The equivocation the witches performed also corroborates the dramatic irony. Banquo anticipates the vileness in the witches’ words, suggesting to the audience that no one should in fact trust them (Act 1 Scene 3, lines 120-125). Macbeth’s blind ambition leads him to trust no one (not even his own conscience) but the witches, and it is this same blindness that stops him from interpreting the apparitions and prophecies in the right way.He always considers the convenient part of these half truths, but is never attentive of the inconvenient aspects they imply, depicting to the audience Macbeth’s lack of consciousness and his path to disintegration. Through this, we go back to the firstly mentioned irony implying his â€Å"success† took Macbeth to defeat. Hence, dramatic irony influences the play in different aspects (such as the themes of appearance and reality and equivocation) and proves the characters’ lack of awareness of the forces of evil that take such a substantial part in it.

The stinger †high, harsh sound used particularly Essays

The stinger – high, harsh sound used particularly Essays The stinger – high, harsh sound used particularly Essay The stinger – high, harsh sound used particularly Essay How and why do music and image influence each other in media that combine ( e.g. music picture, advertizements, movie etc. ) and what effects and affects does this hold on the audience? Introduction The usage of music in concurrence with ocular imagination has a broad scope of maps. Its survey is a comparatively recent phenomenon which appears to hold gained land with the increased drift for multidisciplinary attacks to academic survey, and these are relevant here. Because of the complex nature of music and image interaction, this essay begins by looking at cardinal elements of musicology, sociology and psychological science that relate to analyze of audiovisual texts. This will demo how a scope of influences impact on an individual’s affect and response when exposed to audiovisual media, and gives some indicant of the complexness of this procedure and the troubles in analyzing it. Following this, assorted illustrations of different audiovisual media will be considered to demo how consequence and affect plants in pattern. It should be noted that affect’ is used as a psychological science term, as outlined by Tagg: an affect is felt by a human when his feelings are aroused by an external †¦stimulus. The province in which this human therefore finds himself is an affectional state ( 1979: 33 ) . Effect’ is explored by Branston et Al in a treatment of the effects theoretical account ( 2003: 148-153 ) , and its consideration of whether media power consequences in e.g. force in society. It can be seen as holding a broader application closer to its Oxford English Dictionary definition of result or effect of an action etc. There is some crossing over in significance, but the context and nomenclature should avoid confusion in this essay. Background Theory Musicology The inclusion of musicology in any multidisciplinary survey is complex in itself, as musicology is so extremely specialised that its nomenclature and application remain distant from non-musicians, and are frequently hard to explicate in ballad footings. Furthermore, musicology has strong roots in the survey of Western classical manners, and this frequently presents challenges when nearing other genres of music, allow entirely non-musical subjects. Middleton, for illustration, identifies musicological nomenclature biased towards the parametric quantities prioritised by classical music, reflected in notation ( 1990: 104 ) . Notation itself reflects a musical civilization to a great extent dependant on written/read media instead than an aural tradition, and is therefore suited to the written/read civilization of academic discourse. For aural traditions, which underpin popular manners, there is as yet no universally accepted criterion. Added to the analysis of music in ocular civilizations is the demand to understand the cultural background of musical manners and the manner in which peculiar audiences relate to them. A failure to recognize these nuances can take to inaccurate generalizations. In advertisement, for illustration, Blake suggests that When American popular musics are used, the codifications are less easy to analyze in footings of power and affect than in Cook’s classical examples†¦the ads imply that their merchandises with bestow the imagined freedoms and pleasances of America on the consumer ( 1997: 232 ) . Yet it is arguable whether the usage of Nat King Cole singing There May Be Trouble Ahead’ as the soundtrack to an Allied Dunbar advert ( cited by Blake 1997: 234 in another treatment ) confers this significance. The advert’s cardinal character is a stereotypically white, middle-class British man of affairs, reflecting the demographic at which the advert is targeted, and th e music has been used for its lyrical relevancy. Blake discusses the issues sing a white character lip-synching to a black singer, yet it is likely that many of the advert’s viewing audiences would non be cognizant of who they could hear, nor of his ethnicity. The generalization sing American popular musics is misdirecting in itself: for illustration, Reebok’s advert having US rapper 50 Cent, concentrating on his lasting being changeable nine times, does non propose freedom or pleasance. Cook suggests that music heard as an unaccompanied text i.e. without attach toing visuals, seldom raises clear issues of significance ( Cook 1994: 27 ) . This is possibly instead simplistic, as a figure of musical devices are associated with significance e.g. the usage of a minor key to arouse unhappiness, choler and other negative’ tempers, and these can act upon the reading of a ocular narration ( Vitouch 2001 ) . Cultural issues can add to this phenomenon. InDifferentiations, Bourdieu presented the consequences of an extended study into societal background, gustatory sensations and behavior, placing what he termed cultural capital’ , an acquired cognition of how to act in order to derive praises within society. This included factors such as favorite music, and penchants translate into codes’ which members of the same societal group can read and exhibit. The consequence, Bourdieu says, is that a work of art has significance and involvement merely for person who possesses the cultural competency, that is, the codification, into which it is encoded ( Bourdieu 1984: 2 ) This theory was extended by the work of Sarah Thornton, who undertook extended research of the UK nine scene in the late eightiess and early 1990s, and developed the construct of subcultural capital ( Thornton 1996 ) . The marks and codifications of this are exhibited in subcultures much as they are in wider society, but frequently subvert conventional hierarchies. Thornton and Bourdieu shed some visible radiation on how different sections of society articulate individuality, but reading is far more complex. There are many illustrations of a deficiency of subcultural capital taking to misidentify decisions: The civilization of rave is the civilization of childhood†¦both male childs and misss have normally been seen sucking conciliators [ silent persons ] says Tomlinson ( 1998: 200 ) , misconstruing their usage to antagonize the consequence on jaw musculuss which is a side consequence of the drug rapture, widely used within the subculture. Blake’s references to American popular music discussed in the debut demo a similar deficiency of subcultural capital. Subcultural codifications evolve over clip, adding to troubles understanding and construing them, but they are frequently of import to analysis of an audiovisual text ; in advertisement, they may be cardinal to appealing to a peculiar mark market. Cultural and subcultural codifications are, to some extent, psychological, reflecting a wish to joint individuality and to belong to a societal group. This may be behind the determination that if classical music is played in wine stores, clients tend to purchase more expensive vinos than if the Top 40 is played ( Areni and Kim 1991, cited in Wilson 2003: 94 ) , and reflects aspirational every bit good as existent individuality. Musical gustatory sensations besides have a bearing on response: topics in an experiment where a assortment of music was played in a university cafeteria rated it more positively when it played music they liked ( North and Hargreaves 1996, cited in ibid ) . While gustatory sensations in musical genres appear to be linked to cultural capital, other facets of gustatory sensation nexus to personality. A study of 3500 persons enabled Rentfrow et Al to show four contrasting personality types, each with a type of music they preferred ( 2003 ) . There was a correlati vity between wishing intense, rebellious music and being unfastened to new experiences, being athletic and verbally able and seeing oneself as intelligent ( ibid: 1249 ) . This may be relevant for advertizers: for illustration, to sell athleticss vesture, genre entreaty to a subcultural group may non be plenty if the music is more appealing to those who are non athletic ( who were found to prefer brooding, complex music: ibid: 1248 ) . The above illustrations show how many procedures are at work in the reading of an audiovisual text, both by its intended mark and by the analyst, and travel some manner to explicating the misreading of texts, even by those considered experts in their field. Ocular Media and Music Music has two chief maps when used in advertisement: stigmatization and helping memorability. The extent to which music makes an advert memorable can be demonstrated by grounds that some advert music retains its associations with a merchandise in the heads of persons for many old ages after the adverts are regularly broadcast ( Brierley 2002: 153 ) – for illustration, the 2nd motion of Dvorak’sNew World Symphonyis strongly associated with Hovis staff of life. There is significant grounds that the music in advertisement is more memorable than the words ( Fowles 1996: 132 ) . In add-on to the music being memorable, it may assist reenforce words in the consumer’s head. The original intent of the advertisement jangle – a short motto or rime associated with a specific merchandise and frequently set to music – was to aid memorability, although jangles were progressively dropped in favor of more sophisticated musical stigmatization from the 1980s. This is apparent in interviews with forces from temper music libraries ( Tagg 1980 ) , where Ron Singer of KPM notes increased penchant among clients for known melodies ( ibid: 8 ) . O Sole Mio, a vocal composed in Naples in the 19Thursdaycentury, is well-known by many British consumers as music from Cornetto advertizements, where the text Just one cornetto’ was substituted. In other fortunes, the original words relate to the merchandise as in, for illustration, Dulux’s usage ofA Whiter Shade of Pale( Brierley 2002: 179 ) for publicizing its scope of white pigment with a intimation of coloring material. The success of advertisement is frequently measured by consumer research into rates of callback, yet there is no established relationship between callback and action ( Brierley 2002: 169 ) , so it is hard to set up the extent to which music such as the Cornetto theme’ really creates gross revenues i.e. it is non clear whether the affect ( acknowledgment, acquaintance ) leads to consequence ( purchase of the merchandise ) . Branding can besides be assisted by music ( Brierley 2002: 169 ) , with different genres implying different trade name values. For illustration, classical music is associated with quality and position ( as demonstrated by the vino store experiment discussed antecedently ) . This was used by Citroen in an advert for the ZX 16v which featured music from the overture from Mozart’sThe Marriage of Figaro: †¦the music imbues the merchandise with prestigiousness that attaches to classical music in general and ( for people who recognise it ) to opera in particular ( Cook 1994: 30 ) Prudential developed an advert with narrative refering a immature adult male desiring to be a stone star, but used a classical soundtrack, even when the ocular image was of a stone set playing ( ibid: 33-5 ) . This suggests that the advertizers intended to make the feeling of a quality merchandise and that the demographic of the mark market was different to that of the person depicted in the advert. This usage of music is described as non-diegetic: it does non emanate from a ocular beginning. . The Prudential advert ends with a harmonic patterned advance towards a resolution meter which accompanies the visual aspect of the Prudential logo, described by Cook as pass oning that Prudential is the ( rhenium ) solution of all your problems ( ibid: 35 ) : he notes that musical linguistic communication can non be censored, but that the equivalent, if verbalised, would neglect to acquire past the Ad Standards Authority ( ibid ) . The genre and harmonic construction of the music used by Prudential is, in this instance, more of import than its specific individuality. Levi’s adverts having music by Babylon Zoo and Stiltskin in the 1990s show another attack: the usage of unknown music, with lower costs, to bring forth extra involvement among consumers. The vocals, played on wireless and Television out of context of the advert, still created psychological affect of Levi’s intension, deriving extra exposure for the trade name while besides assisting establish the callings of the soundtrack artists. The consequence was increased gross revenues for both parties. In other fortunes, a well-known vocal may be appropriate to run intoing an advertisement’s aims. In Labour’s recent advertizement, Dave the Chameleon is codification for the inconsistent positions of David Cameron, the Conservative leader. The usage of Culture Club’sKarma Chameleonnon merely refers to the ocular chameleon image, but is besides a well-known piece of music among people in their mid-thirtiess and mid-fortiess to whom Labour peculiarly want to appeal. The Guinness surfer’ advertizement uses much more extended intertextuality ; merely that refering the music is discussed below. The white Equus caballuss symbolise a metaphor ( white horses’ is sometimes used to mention to surf ) visually, while the membranophones represent it aurally, with intensions of thumping hooves. Simultaneously, the spoken text refers to the fat drummer’ , once more linking with the membranophone path and the hooves. The extent to which the membranophones have trade name intensions is problematic: they are taken from the Leftfield path Phat Planet’ , and possibly transport some of the praise of the creative persons, considered to be peculiarly advanced within the dance genre, but the path was non widely known before its usage in the advert. This may make the affect of elevated image for Guinness through its presentation of consciousness of this music: the advert, in consequence, has its ain subcultural capital. The music picture became a cardinal constituent in popular music in the late seventiess as portion of a heightened consciousness of the potency for blending media for commercial advantage: The rise of the video-clip encouraged †¦ blurring of the traditional stone distrinction between doing music and selling a trade good †¦the consequence of video-pop was to switch the balance between pop’s aural and ocular elements ( Frith 1990: 176 ) Music videos expose a scope of codifications associating to genre, proposing support of musical individuality instead than creative activity of it. For illustration, heavier stone manners are more likely to have footage of set public presentations. Authoritative FM Television shows a peculiar set of conventions: the performing artist ( s ) are typically filmed presenting a public presentation of the work and the context often features classical architecture, non needfully that of a concert hall, underscoring a sense of high culture’ . Much of the featured music uses elements of simple crossing over, for illustration, utilizing a stone or dad membranophone form behind an orchestral agreement, and this commixture of genres may be reflected in the styling of the performing artists. The vocalist Marina Laslo’s Caruso’ picture features her in a computer-generated opera house, have oning a formal eventide frock, but with heavy oculus makeup and windswept loose hair mor e in maintaining with a stone picture. Guns and Roses’ picture forSweet Child of Minedemonstrates how a conventional public presentation stone picture can be combined with another narrative through diegetic and non-diegetic devices. Clear, color images of the band’s public presentation, fiting the audio path ( i.e. diegetic ) , are juxtaposed with non-diegetic farinaceous images of set members off from the public presentation, fans and technicians doing the picture, supplying a narrative about the picture production every bit good as making a conventional picture. The multiple texts on occasion interact more vividly: for illustration, the word eyes’ in the words is underscored by farinaceous ocular footage of a fan’s eyes. The picture therefore maintains the intensions of genuineness through ocular portraiture of a conventional public presentation, while at the same time portraying an offstage’ , with the deduction once more of world and genuineness, supplying a farther aspect to the ban d’s image and a more interesting ocular experience. A cardinal inquiry sing music picture is the extent to which it is influenced by subculture and the influence it has on subculture. Research in the US suggests that the latter is the instance sing hiphop picture, which have developed a peculiar manner often pulling on overtly sexual dance by adult females for the benefit of male dad creative persons. A survey of 522 misss found a direct correlativity between the hours of such pictures seen over the class of a twelvemonth and degrees of drug and intoxicant usage, incidence of multiple sexual spouses and happening of STDs. This correlativity held when other facets such as societal background were taken into history ( Amber 2005 ) . It could be argued that as the stars in the pictures are admired for their musical prowess, the msuic confers acceptibility on and even condones the behavior seen in the ocular images. The inquiry of writing comes into drama with music picture, as constructs and way may be the duty of an person who is non involved with the musical composing: for illustration, Steve Barron was credited with the advanced attack to video for a-ha’sTake On Me, which combined conventional movie and life, with a narrative that provided a context for the wordss and gave them extra significance: the words became text Sung by the male character in the picture ( played by the band’s singer, Morten Harket ) to the female character as portion of the video’s story’ . TheTake On Mepicture is credited with establishing a-ha’s calling ( the vocal had been released twice antecedently, with a different picture ) : this may be due to frequent exposure through the media because of its ocular entreaty, conveying the vocal to the attending of those who might non otherwise have heard it. Alternatively, it may hold provided an extra dimension to the musical text and its sensed significance that made it more attractive to consumers, doing the affect critical in taking to the consequence of purchase. The creative person may still hold a grade of control through their public presentation, and may besides be to a great extent involved with the creative activity of the picture construct for their vocal: In a music picture the performing artist s frock, gestures, diction, and manner all become marks apt to interpretation†¦ Performers like Queen Latifah plan their ain pictures and work with their manufacturers and co-workers to make an image ( Roberts 1994 ) . Therefore music picture non merely straddles ocular and audio look, but besides the spheres of look and advertisement. It could be argued that adverts such as the Guinness surfer’ advertizement discussed earlier attack artistic look from a commercial sphere, with the state of affairs reversed for music picture. It has been argued that the whole point of a soundtrack mark is that it should be experienced and non heard ; that if we can actively hear the music, it is non working ( Blake 1997: 226 ) Surely there is some grounds that non all movie audiences actively register that music is attach toing the ocular and verbal elements of a movie ( Vitouch 2001: 71 ) . Howard Goodall, chiefly known for his Television subjects, emphasises a prioritising of ocular elements: Accept that if you are composing for Television or movie you are composing in a ocular medium and you are figure two ( Kingston 2000 ) . Film music ranges from the brief, unresolved pang of the stinger’ chord, a device widely used to underscore a sudden development in the action, peculiarly in horror movies, to the soundtrack vocal that becomes bound up in intending with the film’s narrative. In between is an extended repertory of music written specifically for movies, frequently composed so that musical devices coincide with specific frames. Less specificity is possible where preexistent pieces of music are used, but these may hold intensions of import to the narration: InWitness, the barn scene between Harrison Ford and Kelly McGillis sparked by Sam Cooke’s ( What a ) Wonderful World’requiresa vocal that will arouse a comparatively guiltless and unsophisticated cultural yesteryear ( the early sixtiess ) every bit good as supplying a clear coevals designation and a carefreeness for Ford’s character that is otherwise missing ( Stilwell 2002: 44 ) For bespoke movie music, the relationship between the movie manager and the composer may be more challenging. An nameless movie music composer describes the job of the director who doesn’t understand anything about music and is scared at the reference of a soprano clef or a crotchet – it’s about every bit near as he’ll get to music – but he knows what he wants in his mind†¦but he can’t pass on it to the composer ( Tagg 1980: 50 ) . Here there are illations of music picture in contrary: the movie is the primary text and the music secondary, while in music picture the music is the primary text. In both instances, the primary text is conceived prior to the secondary. Yet Marks argues that movie music is precisely that: a combination of movie and music and one can non be considered without the other ( Marks 1979: 283 ) . In ideal fortunes, the music creates synergism with the movie. This is the state of affairs with Isaac Hayes’ mark forShaft, which established musical codifications for portraiture of the urban landscape populated by the immature black mark audience: chattering, metallic wah-wah guitar†¦.opposition of funk beating against exuberant flutes and strings†¦ mapped a noirish vision of metropolis life, a mobile chase of sensualness through dirt, emphasis and elating speed ( Eshun 1995: 78 ) . These codifications were farther established in Curtis Mayfield’sSuperflymark every bit good as Television subject melodies such asKojak( Tagg 1979 ) . They were nevertheless, later appropriated by Hong Kong soldierly humanistic disciplines movies, and blaxploitation soundtracks looked to hiphop alternatively ( Eshun 1995: 78 ) . This shows the importance of positioning such movies through the associatory power of subcultural codifications. As codifications evolve, so excessivel y might impact and consequence within mark audiences. Yet many movies use the musical devices of Romanticism to back up a film’s narration. TheStar Warsmovies, for illustration, deploy leitmotif, peculiarly associated with Wagnerian opera. Indeed Evenson ( 2004 ) identifies a figure of similarities between theStar Warshexology and Wagner’sRingingrhythm non merely in secret plan and construct, but in similarities between leitmotif of characters with similar functions. For the classical composer, there are clearly analogues between the opera and the film-with-music genres, and the leitmotif provides an chance to underscore the personality and function of a character. The temper of the music non merely helps make an feeling of character, but besides builds context in a manner that visuals entirely may non be able to. This was demonstrated in a survey where groups of topics were shown the same piece of movie, with the original, upbeat/neutral Rozsa mark for one half of the sample and Barber’s more melancholyAdagio for Stringsfor the other half. The topics were so asked what was go oning in the scene and where the secret plan would take, and the consequences showed a doubling of negative affect when the Barber version was shown ( Vitouch 2001 ) . This does, nevertheless, depend on certain musical conventions, such as the association of a minor key with a negative temper. In civilizations where such conventions are less established, it is likely that the consequences would be different. The soundtrack vocal can get extra significance in a similar manner to music picture. The picture for Celine Dion’s My Heart Will Go On characteristics merely really brief infusions from the movie but the music alludes to the movie narrative, with an Irish ( uillean ) pipe consequence implying the male hero’s Irish individuality. For those familiar with the movie, the extra intension of tragic narrative and the hero’s decease may rise affect. Television has appropriated musical devices common to movie and advertisement e.g. the horror movie stinger’ used inHow Clean is Your Houseto mean bacteriums or insect infestations. Certain tendencies are noteworthy across a scope of programmes: for illustration, a alteration of topic in a light amusement programme such asCash in the Atticor60 Minute Makeoveris marked by a brief jangle or motive, with a musical backup to a non-diegetic verbal commentary which is cut for any diegetic address. Music is used to make involvement when there is small go oning verbally in many programmes ; a long-standing illustration is the half infinitesimal piece attach toing each mystifier onCountdown, which builds through lifting keys to make tenseness, culminating with a syncopated ostentation. Music is besides used for stigmatization: Channel Four has a four-note motive. BBC1, meanwhile, has a two-phrase melodious subject used for fluctuations in at least 10 different musical manners, with sympathetic dance-routines and an accent on the colors ruddy, white and black in the dancers’ outfits to reenforce stigmatization. It is noteworthy that, although these tableaus are played instantly anterior to programmes, the manner of music and any subcultural deductions appear to be random instead than matched to the mark audience of the undermentioned programme. Programs, TV’s products’ , are branded by theme melodies: these have the double intent of a call to action ( if heard from another room, the spectator will frequently recognize the subject melody of a programme they want to watch and be able to come to a sing country ) and coding for the type of programme. Thus assortment and peak clip confab shows typically have large set music, a lively manner without narrow subcultural intensions, therefore underscoring comprehensiveness of mark audience. Musical fragments may besides get their ain significance: the membranophone round motive at the terminal of each episode ofEastendershas become a musical codification to denote a cliffhanger’ . Although Television and film are the chief established audiovisual media, more recent engineering has extended its range. The cyberspace and computing machine games are progressively deploying more sophisticated background music, and display many of the techniques described in the old subdivisions. The stigmatization of games, for illustration, has of import subcultural elements, as observed by David Pokress, planetary trade name director for Activision Inc. : It’s non merely about the games, it’s about the life styles that accompany them ( Satzman 2001 ) . The illustrations above shows the broad scope of applications of music combined with ocular image, from adding significance, impacting reading of ocular elements, confabulating value onto a merchandise and assisting make an individuality, whether for a auto in an advert or for a character in a movie. The ocular narration, meanwhile, can reciprocate by adding significance to music e.g. through the ocular narration of a music picture. The affect and consequence depend to a great extent on the audience’s acquaintance with a scope of cultural and subcultural codifications, and the analysis of the creator’s purpose may be different to an analysis of response: A text is made of multiple Hagiographas, drawn from many civilizations and come ining into common dealingss of duologue, lampoon, controversy, but there is one topographic point were this multiplicity is focused and that topographic point is the reader, non, as was hitherto said, the author ( Barthes 1977: 148 ) . The many illustrations of music and ocular image interacting show the importance of reading every bit good as creative activity, and demo the broad scope of possible that music and image have to make significance, affect and consequence through their interaction – and the importance of understanding this for all those working in assorted media. Amber J ( 2005 )Dirty DancinginKernelMarch 2005 www.findarticles.com/p/articles/mi_m1264/is_11_35/ai_n11830675 Barthes R ( 1977 )The Death of the WriterinImage, Music, Text( Fontana, London ) pp142-8 Blake A ( 1997 )Listen to Britain: Music, advertisement and postmodern civilizationin Nava M, Blake A, MacRury I and Richards P ( Eds. )Buy This Book: Surveies in Ad and Consumption( Routledge, London ) Branston G and Stafford R ( 2003 )The Media Student’s Book3rdEdition ( Routledge, London ) Brierley S ( 2002 )The Ad Handbook2neodymiumEdition ( Routledge, London ) Bourdieu P ( 1984 )Differentiation: A Social Critique of the Judgement of TasteTrans. Nice R ( Routledge, London ) Cook N ( 1994 )Music and Meaning in the CommercialsinPopular MusicVol 13/1 pp27-40 Donnelly K ( 2001 )Pop Music in British Cinema( British Film Institute, London ) Eshun K ( 1995 )From Blaxploitation to RapsploitationinCelluloid Jukeboxerectile dysfunction. Romney J and Wootton A ( British Film Institute, London ) Evenson K ( 2004 )The Star Wars series and Wagner’s Ring: Structural, thematic and musical connexionsat www.trell.org/wagner/starwars.html Fowles J ( 1996 )Ad and Popular Culture( Sage, London ) Frith S ( 1990 )Frankie Said: But what did they intend?in Tomlinson A ( Ed. )Consumption, Identity and Style( Routledge, London ) pp172-185 Hebdige D ( 1988 )Hiding in the Light: On Images and Thingss( Routledge, London ) Kalinek K ( dateless) John Williams and The Empire’ Strike Back: The Eightiess and Beyond: Classical meets Contemporaryweb.archive.org/web/19970516041818/ hypertext transfer protocol: //citd.scar.utoronto.ca/VPAB93/course/readings/kalinak.html Kingston P ( 2000 )Compose YourselfinThe Guardian09/05/2000 Laing D ( 1990 )Making Popular Music: The consumer as green goodsR in Tomlinson A ( Ed. )Consumption, Identity and Style( Routledge, London ) pp186-194 Marks M ( 1979 )Film music: The stuff, literature and present province of researchinNotes36 1979 pp282-325 Middleton R ( 1990 )Analyzing Popular Music( Open University Press, Buckingham ) Miller D, Jackson P, Thrift N, Holbrook B and Rowlands M ( 1998 )Shopping, Place and Identity( Routledge, London ) McIntosh H ( 2004 ) Music picture precursors in early telecasting scheduling: a expression at WCPO-TV s inventions and parts in the 1950s in Popular Music and Society October 2004 www.findarticles.com/p/articles/mi_m2822/is_3_27/ai_n6330575 Nava M, Blake A, MacRury I and Richards P ( Eds. ) ( 1997 )Buy This Book: Surveies in Ad and Consumption( Routledge, London ) Redhead S ( 1993 )Rave Off: Politicss and Deviance in Contemporary Youth Culture( Avebury, Aldershot ) Rentfrow P and Gosling S ( 2003 )The Do Re Mis of mundane life: the construction and personality correlatives of music penchantsinJournal of Personality and Social Psychology2003 84/6 1236-1256 Reynolds S ( 1998 )Energy Flash: A Journey through Rave Music and Dance Culture( Picador, 1998 ) Roberts R ( 1994 )Ladies First : Queen Latifah’s Afrocentric womens rightist music pictureinAfrican American ReviewSummer 1994 www.findarticles.com/p/articles/mi_m2838/is_n2_v28/ai_15787237 Satzman D ( 2001 )Playing Music – picture games offer music selling platformin Los Angeles Business Journal 22/10/2001 Sinclair J ( 1987 )Images incorporated: advertisement as industry and poli

Writing Dialogue In Accents and Dialect

Writing Dialogue In Accents and Dialect Writing Dialogue In Accents and Dialect Writing Dialogue In Accents and Dialect By Kate Evans Wen old man Rabbit say scoot, dey scooted, en wen ole Miss Rabbit say scat, dey scatted. Dey did dat. En dey kep der cloze clean, and day aint had no smut on der nose nudder. Uncle Remus A  Story About Little Rabbits, Joel Chandler Harris. We have a long literary tradition of writing dialogue in accents and dialect. Mark Twain comes to mind, as a master of the written idiom. Dialect instantly gives characters authenticity and offers insight into their attitudes, background, and education. An accent allows the reader to use their sense of hearing and gives text depth and flavor. On the other hand, using dialects and accents is often a distraction. When accented words are spelled phonetically, they can frustrate and slow the reader down. If accents are inaccurate or inauthentic, they can stereotype or even insult. With all of these risks, writing dialects has largely gone out of fashion. So what is a writer to do instead? The first step would be to describe patterns of speech in prose. For example, her honeyed accent melted off of her tongue, slowly, sweetly, and with the same elongated syllables that her mama used. Already, the character has an established geographical place and a hint of her history. From then on, the reader can hear and even visualize the honeyed accent. Another tactic is to reflect dialect with commonly spoken words in commonly spelled ways. A writer could insert gonna for going to. The reader registers these words easily but the speech pattern can also convey information about the characters. Finally, a writer can pay close attention to phrases and idioms that pertain to a characters geographic location or time in history. Phrases, such as shes dumber than a bucket of hair, bless her heart, places someone in the American South. The craic is mighty, puts someone in modern day Ireland. When carefully researched and used advantageously, simple colloquial phrases can carry as much weight as paragraphs of complicated written dialect. While we dont want to lose the art of conveying speech patterns through the written word, in todays world, there are more subtle ways to illustrate character traits. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Fiction Writing category, check our popular posts, or choose a related post below:45 Synonyms for â€Å"Food†Homogeneous vs. HeterogeneousDouble Possessive

Deviation as an effective strategy for rhetorical effects Essay

Deviation as an effective strategy for rhetorical effects - Essay Example A portion of the critiques argue that the deviation in rhetoric settings infringe the rules of the normal language. For instance, Postner argues that a system of rules would kill poetry, disregarding the assumption that rules could determine the structure of poetry. It may be difficult to have norms for poetry (as each form of poetry will require its norm), but the category or difference from semiotic norms are indispensible in semiotic stylistics and rhetoric (99). Riffaterre expands these ideas by starting with the assumption that poetry expresses things and concepts indirectly, which occur in different forms of semantic and grammatical deviation. He develops a two-phase model for poetry reading (97). The first phase is where the reader encounters poetic ungrammaticalities based on their linguistic competence. At the heuristic stage, a mimetic or coherent referential interpretation is avoided as the reader faces difficulties resulting from textual indirection (saying a certain thing while meaning another). The retroactive (second) stage the reader successfully resolves mimetic deviations through interpreting them into a new system of semantic, thus the text acquires its intended poetic function (101). At extreme levels, mimetic ungrammaticalities become poetically grammatical. Examples of deviation in rhetoric include sentential adverb, omitting conjunctions, and understatement. For instance, writing that â€Å"he was a hero, a winner† rather than â€Å"he was a hero and a

Subjectivity statement Essay Example | Topics and Well Written Essays - 500 words - 1

Subjectivity statement - Essay Example The basis of my opinion is that the food and beverage industry considers children and adolescents as key market force (Story & French, 2004). This assertion is supported by the current intensified and specialized food advertising efforts and policies that target adolescents, chiefly girls. Since I was a child, I have had the opportunity to be in the midst of girls and critically studied their attitude to advertisements, of which I have come to realize that adolescent girls are more easily influenced by food advertisements. It is for this reason, among others, that I am interested in unearthing the relations between food advertisement and adolescent girls’ nutritional status and eating behaviors. Besides the apparent global interest in this subject, I would wish to explore it further for its personal relations and effects on my life and my family’s. For instance, I have three lovely little kids, one daughter and two sons, whose age range from 5 to 11 years. Notably, all of them fall in the school-going age, their school-going age making food advertisement and teenage girls’ eating habit issues my concern. However, I appreciate that school-going children need a lot of energy and generally love food a lot due to their active lives. On a more personal level, as a kid, I was rather chubby and I really had a rough time growing up. Additionally, the fact that my family came from a foreign and we settled in a strange land made the situation worse for me as. As I was introduced and got accustomed to the American way of living and eating, characterized by fast food and junk food, I gained more weight. Hence, since my childhood, I have been concerned with health and well-being. More specifically, I am currently concerned about the physical, emotional, and psychological well-being of my family and my students. As a teacher, I must ensure that my students, who are youth, understand both the positive and negative implications of

moralhf Moral Choices in Mark Twains The Adventures of Huckleberry Finn :: Adventures Huckleberry Huck Finn Essays

Huckleberry Finn - Moral Choices There were many heroes in the literature that has been read. Many have been courageous and showed their character through tough times. Through these tough times they were forced to make important decisions and this is where you get the real idea of who is deserved to be called a hero. The most influential though of all these was Huckleberry Finn. Through the innocence of childhood he is able to break through the societal pressures that are brought on him and do right. In Mark Twain's The Adventures of Huckleberry Finn you meet a rebellious young teen named Huck Finn. Huck is not your everyday hero especially in the beginning of the novel but slowly through the story his mature, responsible side comes out and he shows that he truly is the epitome of a hero. Huck is forced to make many crucial decisions, which could get him in serious trouble if not get him killed. Huck has natural intelligence, has street smarts, which are helpful along his adventure, and is assertive. Huck has always had to rely on himself to get through things because he is from the lowest levels of white society and his dad is known more or less as the `town drunk." So when Huck fakes his death and runs away to live on an island he is faced with yet another problem, which revolves around the controversial issue of the time of racism. While living on the island he meets Jim who was a slave but Huck soon learns that he has ran off and now in the process of making his way up north to Canada. Here Huck is faced along with his first tough decision, to go with Jim and help him, or just go and tell the officials of a runaway slave and get the reward. Huck reluctantly joins Jim and promises him to get him to free land for the sake of a good adventure but he still feels guilty to be conversing with a runaway slave let alone help him escape. Along the way Huck has many challenges, which are just like this one. This is truly remarkable for a child to be able to break away from the influence of society and go with his heart and do what is right especially when it was considered wrong.

Ethnic Minority Adolescents Essay

Define and give two examples of diversity as a dimension of ethnic minority adolescents One important dimension of ethnic minority adolescents is their diversity. It is highly evident that ethnic minorities are different in terms of their historical background, economic experiences, and social qualities (Santrock, 2007). They may also have different traditions, beliefs, and practices, among others. However, even though these ethnic minority groups have legitimate differences from other people, they should not be considered as inferior beings entirely as they are still human being just like the people who often discriminate against them. In other words, instead of criticizing or belittling the differences, one should acknowledge, accept, and most of all, respect their differences as this allows one to get along with them in a society that is filled and multiply and vast cultures and ethnicities. Acknowledging and respecting their difference would also mean putting oneself in their shoes and thinking about how would they feel. One example of diversity as a dimension of ethnic minority is their different customs and traditions. For example, a Mexican-American adolescent’s way of praying should not be ridiculed but instead be respected most especially if does not affect or impact the normal lives of other people. This also includes his or her food preferences and clothes, among many others. Another example is when an Asian-American boy is expected to be fluent in Chinese even though he was born and raised in the United States. This is a case of stereotyping as the boy, even though he has Chinese roots, has assimilated into the American culture and is not familiar with the language of his heritage. In short, people should keep an open mind when dealing with different ethnic minority adolescents. They should always apply a multicultural perspective and embrace the fact that one of the distinguishing aspects of these groups is their diversity. By doing so, these ethnic minority adolescents would grow up having an easier time associating with people from other ethnic groups. References Santrock, J. W. (2007). Adolescence. United States: McGraw-Hill Humanities/Social Sciences/Languages.

Comparison Between Cathedral And The Way Of A Another Woman

â€Å"How to Be Another Woman† teaches many lessons on relationships and how getting to know someone can increase emotional feelings between two people. The stories that show some direct correlation along with significant differences can best be seen between â€Å"Cathedral† and â€Å"How to Be Another Woman†. The main reason why I picked these two stories was because of the correlation that develops over time. Cathedral shows that you can’t judge someone or put them down before you know them and their story. These stories can both be different from the point of view of the narrator and the situation that they are in. They come from different backgrounds and also different gender, which may play a factor in the way they act towards other people especially in â€Å"How to Be Another Woman†. The following paragraphs will present opinions of the similarities and differences. Starting with the text of â€Å"How to Be Another Woman† firstly, the p oint of view is the also the main character, Charlene. Charlene is considered a mistress due to the fact that she is having sexual relations with a married man. The news gets worse for Charlene as she finds out that Patricia is the woman who is living with her lover since he broke up with his wife. This information is brutally shocking to her due to the fact she was falling in love with this cheating man. The crisis, which I believe to be very clear would be a man that she fell in love with having two or possibly more for all she knows, women in his life. SheShow MoreRelatedStereotyping And Friendship Appear To Be Completely Distinct1588 Words   |  7 Pagescompletely distinct topics, however, they both tie in with the characters, and morals from â€Å"Cathedral† and ‘Everything That Rises Must Converge†. Stereotyping is highly seen in the short story â€Å"Everything That Rises Must Converge† by Flannery O’Connor. 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